I have been lucky to be able to explore and utilize all of my different design styles at one time or other in print work for a range of demographics and on a range of surfaces. Shown here are some favorites from my independent design studio and my time on staff at MTV Networks and Nickelodeon/ Nick at Nite/ TV Land.
I would choose print. I love its tactile quality and the process of finding the best way to guide someone through the message or story. At its best, a print piece enables you to make a personal connection with the person holding it in their hands—even though you may never meet.
Limited edition fundraiser /t-shirt self-initiated at the start of stay-at-home orders due to the COVID-19 pandemic. A portion of sales were donated to First Responders First, Feeding America, and New Jersey Pandemic Relief Fund.
Marketing students in the master’s program at Florida International University were split into teams and tasked with developing a strategy for a line of teas to benefit Lotus House, an organization dedicated to improving the lives of homeless women and their children. They named the product, identified the consumer persona, created messaging, explored /packaging options—and hired graphic designers to create the logo and design the box.
“Your packing is very unique. Will stand out on the shelf.”
illustrators, left to right:
robert zimmerman
edwin fotheringham
david plunkert
It was super fun art directing three very different illustrators for one project. Sent by employees of Nickelodeon/ Nick at Nite/ TV Land to vendors and associates, this /holiday card could then be separated into 48 individual stamps to lick and stick anywhere. Delivered in a waxy, see-through envelope.
I am still surprised I was allowed to include this absolutely zany image of a girl getting a dental checkup as a smiling martian-manned UFO flies into her mouth.
At Nickelodeon, celebrities win an /award just for being nominated for an award. Acrylic cubes are printed on two sides to create a puzzle; nominee’s name and category are on the bottom of the metal tray.
I was the first (and possibly last) designer in Kids’ Choice Awards history to design the logo plus all the off-air creative and on-air promotions for that year. Prior, it had been two designers, and the designs didn’t always coordinate. (Graphics for the show itself are done by an outside production company.)